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备注：已完结
类型：剧情片
导演：未知
语言：英语
年代：未知
简介：Twin babies are separated at birth. The girl grows up in a middle class environment, her brother in a street gang. Twelve years later, their paths cross again and they discover their common destiny, imposed upon them by the adults. It is the beginning of an exciting journey to the discovery of their roots and their independence, but neither of them is able to escape the past...
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备注：已完结
类型：爱情片
主演：阿尔巴·罗尔瓦赫尔 文森兹·凯弗 Matthias Brandt Ol
导演：多丽丝·德里
语言：德语
年代：未知
简介：战争的爆发使得名为尹瑞娜（阿尔芭·洛瓦赫 Alba Rohrwacher 饰）的女子失去了赖以生存的家园，她一路颠沛流离逃亡到了柏林，整日因为非法的身份东躲西藏，担惊受怕。为了生存，什么都不会的尹瑞娜只得利用起了她唯一的资本——肉体，开始了桃色交易。 一日偶然中，尹瑞娜结识了名为凯利（文森兹·凯弗 Vinzenz Kiefer 饰）的流浪汉，异国他乡，两个同样飘摇无依的人选择了相互依靠。善良的凯利收留了伊瑞娜，两人一狗组成了一个奇怪的家庭。和凯利同居后，尹瑞娜依然经营着自己的“生意”，对于这一切，凯利并没有表示反对。然而某一天，尹瑞娜的一位客人突然死亡，看着床上毫无生气的尸体，尹瑞娜和凯利陷入了无助之中。©豆瓣
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备注：已完结
类型：喜剧片
主演：汤姆·希林 卡塔琳娜·舒特勒 尤斯图斯·冯·多赫纳尼 Andreas
导演：扬·奥勒·格斯特
语言：德语
年代：未知
简介：黑白画面，慵懒的爵士乐，不求上进的主人公和无伤大雅的小笑话，影片一开拥有某种伍迪·艾伦电影的气氛。这部来自德国导演杨·奥雷·格斯特的处女作叙述了一名普普通通的柏林年轻人生活中的琐事。成名于《希特勒的男孩》的汤姆·希林已经是而立之年但依旧长相天真，他饰演主人公尼克·菲舍(Niko Fischer)是一名法律大学的辍学生。尼克瞒着自己的父亲，每月依旧从父亲哪儿领取生活费。除此而外，他的生活可以称得上是无所事事。为此女朋友和他分手，之后尼克搬到了新住处，在那里遇到了深陷中年危机的新邻居(尤斯特斯·范·多诺尼)。诚然，尼克时常感到无聊得很，他却不愿意做出任何改变。直到被父亲发现了辍学的事实，尼克的生活来源就此中断。尽管如此，观众却对银幕上无所事事的尼克充满了同情心。尼克有位死党马特泽(马可·豪斯曼)是一名不太成功的演员，他正在演出一部二战题材的煽情剧。影片的男主角是一名纳粹分子(安德·克拉维特)，没想到，在片场这名演员却给尼克带来了一次意想不到的经历。
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备注：已完结
类型：喜剧片
主演：Matthew Broderick Jeanne Tripplehor
语言：英语
年代：未知
简介：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
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备注：已完结
类型：科幻片
主演：Patrick Bergin Matt Frewer Austin O
语言：英语
年代：未知
简介：消防员从一家被大火烧毁的“虚拟空间工厂”的废墟里救出了身受重伤的乔布，此时的他处于奄奄一息的状况之下，并且失去了过去的所有记忆，由于过度烧伤，医生还对他进行了整容手术，醒来后的乔布已经完全失去了从前的面貌。但沃克带领的正从事虚拟空间研究的“虚拟空间研究所”却已经暗中盯上了乔布，他们对乔布进行了虚拟现实实验，以此来帮助他重建了思想，最终借助他的力量来实现不可告人的目的。 时间来到未来的洛杉矶。彼得和特拉维斯、哈维、肖恩等几个小伙伴住在城市地下的隧道里，过着流浪的生活，几个人都酷爱网络虚拟游戏，在一次进入虚拟空间时，彼得竟然遇到了乔布，两人相见甚欢，乔布告诉彼得自己被困在了虚拟空间，而网络虚拟空间即将毁灭，他也会随之消失，只有一个叫本杰明?特雷斯的人能够救他，恳求彼得帮他找到特雷斯并将他带到虚拟空间里。彼得一口答应，但找到特雷斯后却发现那是个十足的怪人，他隐居在人迹罕至的戈壁，对陌生的彼得并不友好。直到彼得提到奇容芯片的事，他才答应前往
