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备注：已完结
类型：剧情片
导演：未知
语言：英语
年代：未知
简介：艾迪（Dingani Beza 饰）是一名曾参加过伊拉克和阿富汗战争的退伍军人，回到原来的世界后，他持续求学，同时在24小时营业的日出餐厅（Sunrise）上班赚取生活费。工作间隙，他会在随身携带的小本子上写下各种人生感悟以及关于战争的痛苦回忆，以此打发长夜的无聊时光。夜深人静，本该是入眠时刻，可是总有一群人在彼此心灵的角落寻找依靠。三对情侣先后走入餐厅，带着各种无法排遣的愁绪和秘密。艾迪和女店员希拉（Jilanne Klaus 饰）注视着眼前的一切，纵然有心，爱莫能助。 其中一名女客找到艾迪，似乎揭开了一个骇人听闻的真相。夜已深，日出餐厅的氛围变得愈加诡异……
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备注：已完结
类型：爱情片
主演：Bob 丽·莱米克 Gerard 迈克尔·奥吉弗 玛丽·玛特琳 约瑟夫
导演：凯伦·亚瑟
语言：英语
年代：未知
简介：Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
