备注:已完结
类型:爱情片
主演:Jussi Vatanen Jasper Pääkkönen Timo
语言:芬兰语
年代:未知
简介:杨尼(尤西·瓦坦恩 Jussi Vatanen 饰)是一个整天无所事事游手好闲的无业游民,靠着领取政府发放的失业救济金生活,一晃眼五年就这样过去了,杨尼的女友依娜丽(帕梅拉·托拉 Pamela Tola 饰)对男友如今的现状感到非常的不满。一天,依娜丽拜托杨尼去买一台信号转换器,但杨尼给忘记了,当他想起来的时候,商场已经关门了。依娜丽彻底的爆发了,她向男友发出了最后的通牒,如果不能在今天买到数字转换器,那么他们就分手。 杨尼这才意识到事情的严重性,于是带着两个好友,杨尼踏上了寻找数字转换器的旅途,一路上,一行不靠谱的人遇到了各种各样的麻烦和意外。
备注:已完结
类型:动作片
主演:塞缪尔·勒·比汉 马克·达卡斯考斯 杰瑞米·雷乃 文森特·卡索 艾米莉
导演:克里斯多夫·甘斯
语言:法语
年代:未知
简介:影片根据发生在法国国王路易十五统治时期的真实事件改编。 18世纪60年代中期,法国路易十五在位时,一只凶残异常的巨狼一直威胁着吉瓦冈地区,而受害者多是妇女和儿童。一时间,全法国都被触目惊心的血腥杀戮震惊了,无人知道凶兽真正面貌,有人盛传是魔鬼化身。为安定民心,路易十五指派皇家骑士弗朗萨克(塞缪尔·勒·比汉 Samuel Le Bihan 饰)捕杀怪兽。在吉瓦冈逗留期间,弗朗萨克爱上了当地伯爵的女儿玛丽安(艾米莉•德奎恩饰),还与美艳动人的官妓西尔维亚(莫妮卡·贝鲁奇 Monica Bellucci 饰)有染,并结识了玛丽安的哥哥让-弗朗索瓦(文森特·卡索 Vincent Cassel 饰)。随着调查的逐渐深入,弗朗萨克从被害者遗体上发现了一颗钢牙,而一位目击者发誓宣称有人控制着巨狼。随着调查,掀起更恐怖阴谋,一场场血腥杀戮战连串发生……
备注:已完结
类型:恐怖片
主演:Laurence Saunders Carl Coleman Elis
语言:英语
年代:未知
简介:A Birmingham-based band are ordered by their unhappy record company to an old warehouse; the goal being to re-start their ailing careers with a kick-ass new promo video. Unfortunately the band and their entourage find themselves targets of a mysterious knife-wielding maniac, haunted by the voice of Satan, and out for revenge. A British band are ordered by their unhappy record company to an old warehouse, with the goal being to re-start their careers with a kick-ass new promo video. Unfortunately they find themselves the target of a mysterious knife-wielding maniac in this bloody British slasher! Love Meets Murder - the once popular rock'n'metal band, now down on their luck and their careers, seek to create their 'magnum opus'. Locked into a Wednesbury studio for the weekend nobody is able to leave - but before the band have just finished tearing into their new hit, a series of mysterious murders begin to plague them all. Now only their own self-belief can save them from the psychotic mind of their assailant.
备注:已完结
类型:剧情片
主演:Arik Lavie Shaike Ophir Avraham Hef
语言:希伯来语
年代:未知
简介:A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.